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Anticipation by Lee Panizza
Anticipation by Lee Panizza
View in a room interior
Anticipation by Lee Panizza
  • Type:  Original Art
  • Medium:  Paintings > Oil
  • Style:  Geometric Abstract
  • Subject:  Abstract
  • Year:  2019
  • Size:  61.0 x 61.0 x 2.0 cm
  • Ready to hang:  Yes
  • Frame:  No
  • Signed:  Yes, on verso
  • Materials:  oil on canvas
  • Shipping:  Ships from United Kingdom
61.0 x 61.0 x 2.0 cm

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Anticipation

|
By

Lee Panizza

Paintings61.0 x 61.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships ready to hang?
Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$1,655.00
Original artworkOnly 1 available. Get it before it’s gone
Free & easy 14 days returns Learn More
Worldwide safe shipping Learn MoreShips from United Kingdom by Tuesday 03 December 2024
Trusted by leading brands including Soho Home

More Works by Lee Panizza

A Breath of Fresh Air

Paintings - 112x137 cm

Before the Wind

Paintings - 61x61 cm

It's All Up in the Air

Paintings - 100x100 cm

Do You Dream in Colour #1

Paintings - 49x49 cm

Lee Panizza

Lee Panizza is a painter concerned with abstraction from nature and the nature of abstraction. Born and educated in South Australia, Lee creates semi-representational paintings that reflect her interest in light and how movement manifests in nature. She captures the subtle to seismic shifts in our environment, from the interaction of colours on leaves and plant life, the sky bursting through negative space, to the gentle sway of branches.

Lee has a degree in Fine Art Painting from the South Australian School of Art, Adelaide, South Australia. For nearly 30 years, she painted and farmed in rural Portugal, surrounded by cork, olive, pine and eucalyptus groves. Much of her work, particularly the series Flickers, is a legacy of this experience and passion for the natural world.

Through the medium of oil paint, Lee explores the philosophical questions of knowledge, certainty, definition and memory. Harnessing the inherent structures found in nature and a clever interplay of light and shadow, she constructs a beautiful aesthetic of disintegration and reinvention. Rhythmic patterns emerge from fragmented sheets of colour that glide over each other, while a sense of time surfaces through shifting layers of paint and geometric impositions.

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