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Untitled (2019) - Study after Friedrich's The Chasseur in the Forest. by Adam Reid
Visually Similar Artworks
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Untitled (2019) - Study after Friedrich's The Chasseur in the Forest. by Adam Reid
View in a room interior
Untitled (2019) - Study after Friedrich's The Chasseur in the Forest. by Adam Reid
  • Type:  Original Art
  • Medium:  Paintings > Gouache
  • Style:  Expressionistic
  • Subject:  Portraits > Male
  • Year:  2021
  • Size:  57.0 x 41.5 x 0.5 cm
  • Ready to hang:  No
  • Frame:  No
  • Signed:  Yes, on verso
  • Materials:  Gouache and conte on MDF with spray adhesive
  • Shipping:  Ships from United Kingdom
57.0 x 41.5 x 0.5 cm

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Untitled (2019) - Study after Friedrich's The Chasseur in the Forest.

|
By

Adam Reid

Paintings57.0 x 41.5 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

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$615.00
Original artworkOnly 1 available. Get it before it’s gone
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Adam Reid

Adam Reid is a contemporary Irish artist working in gouache to create dynamic and dramatic figurative paintings. Adam grew up in Canada before moving to London, where he now lives and works. Adam’s paintings primarily take the form of close up portraits or ominous and surreal scenes with ambiguous figures in them.

Adam Reid’s Style

Adam’s portfolio ranges from the expressionist to the abstract. With a style that takes inspiration from Turner and from Bacon, Adam’s paintings have a distinct narrative, yet maintain a mystical quality. ‘The Forge’ series was created in 2019 and consists of paintings that work individually and as a collection. Adam uses a palette of dark, earthy colours, swift lines and a repeated composition to allude at continuous stages of the same observation throughout this series.

Portraiture

Adam’s portrait paintings are unique from the rest of his works. Unlike Adam’s usual dark backdrops and tonal hues, bright reds, yellows and blues flood onto the canvas, at times working their way into the subject matter. By incorporating the foreground and background and vice versa, Adam engages his subjects with their surroundings, making for vibrant and visceral works of art.

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