Amandine, dans les entrailles de la terre 1

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Drawings44.0 x 44.0 cm?
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Catherine Hoang

Marked by human anatomopathology, Catherine Hoang (CHNB), sculpture and painter, explores the multiple visions of life and survival, in the minds of Chinese literate painters. The sculptures and paintings are crossed by Vital Elan, in a game of voids and full for space and line, far from the academic perspectives. She works with stone and wood with sometimes adding other materials. Direct size (withdrawal) is a time without return where
Then sparkle and necessarily unique forms.
"First contact with Catherine's work. What vital force emerges, as mythical, stone or wood sexes in the rhythm of ribs and fractures of materials; Copper seams and polishing caresses, and in this set of devouring or energizing forces, ... want to caress the materials. Even where the work shines, feel the strata of stone, strata and crimes ... exchange between perceived meaning and the source of inspiration, then the slow work of rediscryption of the works. Go beyond appearances, obviousness, letting this arm that surround or is it a tentacle that devours? Be touched, and decide to use the words to sculpt my emotions without smoothing anything, without building. Just to thank the experience lived in this workshop where I want to come back to see and hear the work born from the block. » - Claudine Guittet, director of the artistic company seen on stage, France

By the controlled spontaneity of the line on the paper of "rice", his painting is a writing characterized by the sobriety of a black ink with all his nuances, to reach the essential but also, according to the sensitivity of the viewer, to perceive the More tiny details, microvisions in vision.

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