Harmony n° 2

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Paintings90.0 x 90.0 cm?
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Muriel Massin

Muriel Massin is an abstract painter & nbsp; which has always appreciated the painting. It begins to paint alone. Following an exhibition of German expressionist painters in the 1990s of which she emerged enthusiastic, she bought her first box of painting. She then draws from the big cottage of living models, then she joined a friend, professor at & nbsp; Adac & nbsp; (2000/01). Consequently the action of doing a painting, the possibility of creating is offered to her and she has a happy memory of her initiation & nbsp; in a benevolent atmosphere & nbsp; offered by & nbsp; painters and teachers. In 2003, she & nbsp; Workshops of Fine Arts, in the workshop of Antoni Ros Blasco where she painted & nbsp; free subjects. Over time, she leaves the figuration for the abstract which corresponds better to her vitality and her desire for freedom & nbsp; of movement and spirit. & Nbsp; her learning ends & nbsp; in the workshop of Martin Bissière which she learns The ample gestures, its abstraction until it is rather geometric has become "lyrical". Since 2012, she has worked in her workshop in the 2nd arrondissement in Paris. His inspiration comes from the painters she admires Joan Mitchell, Helen Frankenthaler, but also Chu Teh Chun, Twombly etc ... and other less known painters. Also comes from the outside, the atmosphere, nature, the city, the harmonious forms & nbsp; and the colors which for it are invigorating, & nbsp; also from the inside (anger, sadness and joy) .muriel Massin uses the 'Acrylic, but sometimes adds collages, nuts, poster fragments, corrugated cardboard & nbsp; or any material that seems to him necessary for his expression and painted on canvas, paper, cardboard. reflection and breaks during which she tries a direction, but she remains essentially intuitive and instinctive and makes each painting a new adventure. & nbsp; inspiration & nbsp; and a certain letting go are necessary in this process. Paintings, she is looking for a certain beauty, of course inaccessible & nbsp; but ardently desired.

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