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Currency #213 "The worst is over" by Natasha Lelenco
Currency #213 "The worst is over" by Natasha Lelenco
View in a room interior
Currency #213 "The worst is over" by Natasha Lelenco
  • Type:  Original Art
  • Medium:  Paintings
  • Style:  Street Art
  • Subject:  Politics
  • Year:  2024
  • Size:  26.0 x 26.0 x 2.0 cm
  • Ready to hang:  Yes
  • Frame:  No
  • Signed:  Yes, Back side
  • Materials:  Acrylic and spray on 2 cm thick wood cut into a circular shape emulating the form of 26cm diametera coin.
  • Shipping:  Ships from Spain
26.0 x 26.0 x 2.0 cm

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Currency #213 "The worst is over"

|
By

Natasha Lelenco

Paintings26.0 x 26.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships ready to hang?
Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$325.00
Original artworkOnly 1 available. Get it before it’s gone
Free & easy 14 days returns Learn More
Worldwide safe shipping Learn MoreShips from Spain by Friday 29 November 2024
Trusted by leading brands including Soho Home

More Works by Natasha Lelenco

Natasha Lelenco

Natasha Lelenco, born in Chișinău, Moldova in 1982, is a Moldovan painter and contemporary artist based in Spain since 2008. Orphaned at a young age, Lelenco's biography is marked by her experience as a foreigner. She is known for her figurative work, particularly portraiture, and holds a degree in Fine Arts from the University of Cluj-Napoca in Romania.

Lelenco's art has been exhibited in multiple exhibitions across Europe and America. Notable exhibitions include the I Trienal de Tijuana in Mexico, The Nordart International Art Exhibition in Büdelsdorf, Germany and the Latino Arts Project at the Irving Museum & Archives in Texas. Her approach to art is primarily figurative, with a strong focus on the human form. She explores themes of identity, self-awareness, and the role of chance in shaping life's value.

Her artistic journey has led to the creation of several self-contained series where narrative and format works together. These series often feature a playful mix of repetition, color contrasts, and intentional deformations aimed at capturing psychological realism with a selective use of the elements and resources available in her studio.

A recurring motif in her art is the use of panels, where repetitive representations weave a narrative. This repetition, especially in the portrayal of faces, highlights a world characterized by seriality. Through her thoughtful exploration of these themes, Lelenco offers a unique perspective on the human condition.

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