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Le bois, eau forte sur cuivre, épreuve d'état. by Emmanuelle Mason
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Le bois, eau forte sur cuivre, épreuve d'état. by Emmanuelle Mason
View in a room interior
Le bois, eau forte sur cuivre, épreuve d'état. by Emmanuelle Mason
  • Type:  Limited Edition
  • Medium:  Prints > Etching
  • Style:  Figurative
  • Subject:  Nature
  • Year:  2021
  • Edition:  of 2
  • Size:  34.0 x 50.0 cm
  • Ready to hang:  No
  • Frame:  No
  • Signed:  Yes, Embossed with an embossing tool
  • Materials:  Etching on paper.
  • Shipping:  Ships from France
34.0 x 50.0 cm

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Le bois, eau forte sur cuivre, épreuve d'état.

|
By

Emmanuelle Mason

Edition of 234.0 x 50.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

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$320.00
Don’t miss outOnly 2 left of this edition
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Worldwide safe shipping Learn MoreShips from France by Friday 22 November 2024
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More Works by Emmanuelle Mason

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Syria #6

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Syria#2

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Emmanuelle Mason

I mainly present my graphic work on Kazoart. Indeed, I never stop questioning the drawing, in a way where paper becomes a body, a territory, a "environment". Sometimes it is the paper itself that becomes drawing, while I cut it, burns it.

I present here different series:

The lace series (in progress)
The series of erotic drawings ("cut" and "burn") (in progress)
The series of disasters (Syria mainly)
The Dead Snetting Series
As well as some out -of -series works.

In these series, there is always an ambiguity, a look that is both fascinated and insurgent focused on a world that I struggle to bear. I point to, from the end of my pen, sometimes the unspeakable, sometimes the micro-drama, sometimes the disease or the romantic state. My subjects are not always easy, sometimes terrible, but always treated with delicacy, the virtuosity of the bill coming to "trap" the gaze that usually turns away. I try to replay this question of the sublime: which is beautiful and scary at the same time. Even when my work is tender, there is a cut, a burn, which tries to take care of the more ambiguous tone of the subject.

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