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Promenade N°02 by Camille Tardif
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Promenade N°02 by Camille Tardif
View in a room interior
Promenade N°02 by Camille Tardif
  • Type:  Original Art
  • Medium:  Paintings > Watercolour
  • Style:  Abstract
  • Subject:  Abstract
  • Year:  2023
  • Size:  87.0 x 64.0 cm
  • Ready to hang:  No
  • Frame:  No
  • Signed:  Yes, by the artist
  • Materials:  Watercolour painting on paper
  • Shipping:  Ships from France
87.0 x 64.0 cm

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Lisa Takahashi studied Fine Art at Middlesex.

Cyclists will love Lisa's flowing portraits of the big race.

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Promenade N°02

|
By

Camille Tardif

Paintings87.0 x 64.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

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$2,365.00
Original artworkOnly 1 available. Get it before it’s gone
Free & easy 14 days returns Learn More
Worldwide safe shipping Learn MoreShips from France by Thursday 01 May 2025
Trusted by leading brands including Soho Home
More Works by Camille Tardif
Promenade n°01
Paintings - 87x64 cm
Human Squared
Paintings - 50x50 cm
Danse abstraite n°12
Paintings - 15x21 cm
Landscape n°13
Paintings - 30x30 cm
Camille Tardif
Textile by trade, Camille Tardif recently initiated a multidisciplinary creative approach. With seven years of graduate in design, the artist quickly felt trapped in having learned too much. The challenge of his approach today is to succeed in making his technique and his instinct dialogue, to find a balance between logic and letting go. Take things wrong is an essential value for the artist . This is how she chose for her first collection to divert a textile technique, the batik, and to apply it to paper and watercolor. The dye process allows you to place hot wax in places that you do not want to color. By using this principle, Camille Tardif sought to insert vagueness, the accident in her work always calculated. With the principle that for her aesthetic character, repetition is obsessive for the artist: it is therefore naturally that she finds herself present in her creations. It is in the work of rhythm and sequence, in the shaping of the infinitely small that she offers creations to apprehend from afar.
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