Name: It Used To Be
Brand: Niki Hare
SKU: AR-00076838
Price: 2000.00 USD
Availability: InStock
Rating: 4.89 (993 reviews)

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Artwork details

Type: Original Art
Medium: Paintings > Acrylic
Style: Abstract
Subject: Typography
Year: 2022
Size: 51.0 x 51.0 x 2.0 cm
Ready to hang: Yes
Frame: No
Signed: Yes, verso, certificate included
Materials: Acrylic on canvas
Shipping: Ships from United Kingdom

51.0 x 51.0 x 2.0 cm

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It Used To Be

|

By

Niki Hare

Paintings51.0 x 51.0 cm?

Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships ready to hang?

Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$2,000.00

Original artworkOnly 1 available. Get it before it’s gone

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Worldwide safe shipping Learn MoreShips from United Kingdom by Wednesday 25 December 2024

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Niki Hare

Niki Hare is a self-taught visual artist based in Gloucestershire. Known for her eclectic style, Niki dissects and digests concepts of vision and existence through painting, collage, print and video. Working in a wide range of media, Niki deconstructs the world around us, presenting it from multiple angles, instilling the ordinary with a thought-provoking sense of impermanence, imbalance and discomfort.

After a brief period at art college, Niki took 20-years away from art to pursue a career in equestrianism. Now back on the art scene, her presence is unignorable. Street Art and Abstract Expressionism influences come through Niki Hare's work. Through a process of intricate layering and complex compositions, many of her canvases begin as typographical explorations and evolve into new visual languages.

In her abstract collages, the artist combines elements of detailing and observation. Niki layers paint, scrapes it back, forms new textures and animates surfaces with images and, her signature addition, graffiti-esque words. Curiously, Niki not only manages to explore what is there but also what is not; she sees the unseen, the spaces between and what could be there. Her alternative portraits investigate the self, coupling dusky details with a sense of exposing our most vulnerable, hidden traits - painting from the inside out.

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