Name: B418 Hommage à Rothko
Brand: Laurence Moracchini
SKU: AR-00080103
Price: 1130.00 USD
Availability: InStock
Rating: 4.89 (995 reviews)

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Artwork details

Type: Original Art
Medium: Paintings
Style: Abstract
Subject: Landscapes
Year: 2023
Size: 60.0 x 60.0 x 2.0 cm
Ready to hang: Yes
Frame: No
Signed: Yes, Bottom left
Materials: Acrylic on linen canvas mounted on a stretcher
Shipping: Ships from France

60.0 x 60.0 x 2.0 cm

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B418 Hommage à Rothko

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By

Laurence Moracchini

Paintings60.0 x 60.0 cm?

Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships ready to hang?

Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$1,130.00

Original artworkOnly 1 available. Get it before it’s gone

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Worldwide safe shipping Learn MoreShips from France by Friday 27 December 2024

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Laurence Moracchini

Laurence Moracchini lives and works in Vésinet in the Paris region. After years of figurative, she wanted to "let go". The abstraction which she calls "figuration-abstract" to define her work, allows her this freedom of creation.
Through her painting, she invites the spectator to walk in imaginary landscapes. Working by series, some are more abstract and more refined, others more figurative where everyone sees it as different evocations. She never gives titles to her paintings, just a reference, so that everyone is free to imagine what he wants: "Imagination is freedom".
Laurence Moracchini works with acrylic loaded with marble powder, an adjuvant that she appreciates for her dullness and the different material effects that he allows to obtain.
Generally (certainly in part in order to escape the anxiety of the white canvas) it begins its paintings with great black flat, drips, scratches ... then the colored layers are superimposed, very quickly: it is the hand that guides the mind.
My canvases are often unrecognizable from day to day. I keep track of the different stages, either by the visible, or by the perceived or the "repentant", and by the game of overlays is gradually born the balance of the canvas.
I do not "premeditate" my paintings, every morning when I enter my workshop, it is a new adventure that begins and in which I throw myself by favoring gestural energy.

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