Check out Untitled by Nelson Makamo on Rise Art

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Artwork details

Type: Original Art
Medium: Paintings > Mixed Media
Style: Illustrative
Subject: Portraits
Year: 2024
Size: 71.0 x 90.0 cm
Ready to hang: Yes
Frame: Yes, Archival white box frame, float mount, museum glass
Signed: Yes, Back
Materials: Acrylic, charcoal and pastel on paper

71.0 x 90.0 cm

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Untitled

|

By

Nelson Makamo

Paintings71.0 x 90.0 cm?

Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

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More Works by Nelson Makamo

Nelson Makamo

Johannesburg-based Nelson Makamo uses his art to give a voice to the children of his birthplace, Limpopo, the northernmost province of South Africa. He is known for using a variety of expressive mediums such as acrylic, print, watercolour and charcoal drawings, to create candid portraits of children. Makamo’s career spans sixteen years, during which he has solidified an iconic signature and a subject matter that has steadily placed him on a global stage, making him one of the world’s most sought-after young visual artists of our time.

Nelson spent three years studying printmaking at the Artist Proof Studios in Johannesburg. After graduating, his practice continued to evolve through experimenting with a variety of materials, especially with his now-signature medium, charcoal. Equally experimental in nature is his work ethic; Nelson never plans what he is going to paint, he prefers to let creative spontaneity lead the way. His artistic influences, nevertheless, include the likes of contemporary visual artist Dumile Feni, Picasso and Van Gogh.

Nelson’s globally renowned collections have been exhibited in South Africa, the USA, France, Italy, the Netherlands, England, and Scotland. His work is featured in prestigious public and private collections worldwide. Nelson also appeared on ‘The Daily Show with Trevor Noah’ in 2019, where he was lauded for creating a world where young African artists can speak to the world through their art, rather than being told how their art should be accessed.

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