Henry Ward works across three sites: his studio, his shed and at his kitchen table. This multifaceted artist – painter, sculptor, writer and educator – embraces a discursive approach to making. Born in Woolwich, London, in 1971, he has spent over three decades navigating the shifting boundaries between the real and the abstract.
A practice in constant motion
Henry Ward is drawn to bold gestures, layered surfaces, colours that run wild and speak, in their own way, of a world out of sync. His paintings balance sharp geometry with spontaneity. There’s always a quiet tension, a play between control and surrender.
Trained at Central Saint Martins, Winchester School of Art, Goldsmiths and Middlesex University, Ward also holds a PhD. His work has been exhibited in leading galleries including Flowers, Messums, Sid Motion Gallery, Aleph Contemporary and Kittoe Contemporary. His recent London shows have cemented a growing institutional recognition, while selections for the Trinity Buoy Wharf Drawing Prize, the Wrexham Painting Prize and the Football Art Prize speak to his ongoing relevance on the contemporary scene.
Art as transmission
Education runs deep in his practice. Alongside his artistic pursuits, he leads the
Freelands Foundation, where he launched the Freelands Painting Prize in 2020. He has also headed education at the Southbank Centre and taught at Welling School. You’ll often find him giving talks at art schools across the UK, from Belfast to Falmouth.
In 2023, Ward’s residency at the Albers Foundation in Connecticut sparked a new body of work, published in a monograph titled Bethany (2025). The book brings together paintings, texts and conversations with fellow artists such as Amy Sillman and curator, Jenni Lomax – a reflection on process, gesture and material.
His works now reside in Soho House collections, in the UK Department for Education, and in private collections across Canada, the US and Bermuda. A discreet yet assured presence – much like the path he’s chosen to follow.