Name: La grande oxydation
Brand: Emmanuelle Mason
SKU: AR-00078938
Price: 1265.00 USD
Availability: InStock
Rating: 4.89 (1004 reviews)

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Artwork details

Type: Original Art
Medium: Paintings > Mixed Media
Style: Figurative
Subject: Nature
Year: 2022
Size: 50.0 x 50.0 cm
Ready to hang: No
Frame: Yes, cadre vitrine en bois clair
Signed: Yes, à la pince à gauffrer
Materials: aquarelles aux oxydes de métaux, minéraux et cristalisations chimiques
Shipping: Ships from France

50.0 x 50.0 cm

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Bea Garding Schubert creates abstract works that inspire hope and happiness.

The artist has exhibited her work around the globe, from New York to Beijing.

These are zesty pieces that'll lend a happy funkiness to an interior.

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La grande oxydation

|

By

Emmanuelle Mason

Paintings50.0 x 50.0 cm?

Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships framed?

Artwork ships framed

This artwork is sold framed. For additional information on the frame please see the artwork detail information.

$1,265.00

Original artworkOnly 1 available. Get it before it’s gone

Free & easy 14 days returns Learn More

Worldwide safe shipping Learn MoreShips from France by Friday 02 May 2025

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Emmanuelle Mason

I mainly present my graphic work on Kazoart. Indeed, I never stop questioning the drawing, in a way where paper becomes a body, a territory, a "environment". Sometimes it is the paper itself that becomes drawing, while I cut it, burns it.

I present here different series:

The lace series (in progress)
The series of erotic drawings ("cut" and "burn") (in progress)
The series of disasters (Syria mainly)
The Dead Snetting Series
As well as some out -of -series works.

In these series, there is always an ambiguity, a look that is both fascinated and insurgent focused on a world that I struggle to bear. I point to, from the end of my pen, sometimes the unspeakable, sometimes the micro-drama, sometimes the disease or the romantic state. My subjects are not always easy, sometimes terrible, but always treated with delicacy, the virtuosity of the bill coming to "trap" the gaze that usually turns away. I try to replay this question of the sublime: which is beautiful and scary at the same time. Even when my work is tender, there is a cut, a burn, which tries to take care of the more ambiguous tone of the subject.

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La grande oxydation

Emmanuelle Mason

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