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... être la belle endormie ... by Hervé Bailly-Basin
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... être la belle endormie ... by Hervé Bailly-Basin
View in a room interior
... être la belle endormie ... by Hervé Bailly-Basin
  • Type:  Original Art
  • Medium:  Digital
  • Style:  Figurative
  • Subject:  Nudes
  • Year:  2023
  • Size:  60.0 x 90.0 cm
  • Ready to hang:  Yes
  • Frame:  No
  • Signed:  Yes, right bottom corner
  • Materials:  UV ink on Dibond
  • Shipping:  Ships from France
60.0 x 90.0 cm

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... être la belle endormie ...

|
By

Hervé Bailly-Basin

Digital60.0 x 90.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships ready to hang?
Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$860.00
Original artworkOnly 1 available. Get it before it’s gone
Free & easy 14 days returns Learn More
Worldwide safe shipping Learn MoreShips from France by Monday 16 December 2024
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More Works by Hervé Bailly-Basin

Hervé Bailly-Basin

Born in 1958, Hervé Bailly-Basin followed studies of plastic arts and philosophy. Originally centered on painting, his artistic practice was transposed from the end of the 80s in the emerging techniques of digital imaging. This virtualization of pictorial practice became a way to "dream" for him, and to explore the aesthetic and poetic potential. The possibility of chaining in visual sequences the successive states of the image-table soon led him to the production of animated paintings, whose sound system ("when immobility breaks, silence is tearing ...") aroused many collaborations With the world of contemporary music, and more particularly with the composer Tristan Murail.
The Audiovisual Grand Prix of the Charles-Cros Academy, awarded to Hervé Bailly-Basin in 2002, devoted this evolution to transdisciplinary works, whose reading image by image continues to reveal a multitude of paintings, of which He would have been possible to paint that a tiny party if he had held on his primordial practice. Aware of the fact that the use of digital techniques has led him to "implicitly model" his way of painting, he has undertaken in recent years to formalize the treatments of treatment reflecting the "secret algorithm" of which he had presumed the existence In an article written for the Revue Nov'art - the equation generating the paintings which he now has to make.

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